To support the health and safety of our community, we are temporarily closed. Here’s what to expect when we reopen.
The Asian Art Museum plans to reopen on Thursday, Oct. 1, with a special two-day members-only preview. The museum will then open to the public on Saturday, Oct. 3, with free admission for all through Oct. 12 (the museum will be closed on Tuesdays and Wednesdays). We invite everyone to explore thousands of masterpieces across two full floors of recently renovated collection galleries, enjoy timely and thought-provoking special exhibitions — including Awaken: A Tibetan Buddhist Journey Toward Enlightenment; Jean Shin | Pause; and Chanel Miller: I am, I was, I will be — and relax in light-filled atriums.
“The Asian Art Museum offers new worlds to explore and, with every visit, ensures we are a place of inspiration, insight, and, above all, community — whether you stop by on-site or online,” says Jay Xu, Barbara Bass Bakar Director and CEO of the Asian Art Museum. “These are the values that kept us going through temporary closure, through the pandemic, and into the future. These are the values that we all need right now. We can’t wait to welcome you back.”
The Asian Art Museum is following the City Health Department’s strict guidelines to ensure all visitors feel safe and comfortable in a clean environment and enjoy experiences that are fun and full of discovery.
Because the museum is operating at 25% visitor capacity, this means a visit to the museum will work differently than before:
The museum will also be operating with convenient new hours to accommodate our stringent cleaning protocols:
Thursdays: 1p.m.–8 p.m.
Fridays–Mondays: 10 a.m.–5 p.m.
Tuesdays and Wednesdays: Closed
FREE admission: Essential workers, SFUSD students, children 12 and under, active duty military.
General Admission: $15; Seniors (65+) and Students (13–17): $10. There will be no special exhibition surcharges.
Please check the museum website (under the “Visit” tab) for information about upcoming free admission days and for updated parking, transportation, and entrance information.
“We’ve been working hard behind the scenes to ensure the up-close art encounters you’ve been missing during quarantine will be ready,” continues Xu. “Two full floors of refurbished collections galleries reimagine our masterpieces from across Asia, giving longtime members a chance to see an ‘old friend’ in a fresh light or first-time visitors a chance to encounter a new favorite. Our current program of temporary art exhibitions and special installations speak to this moment’s universal need for mindfulness, togetherness, and healing.”
Special exhibitions open Oct. 1 include:
Meditate on more than 100 vibrant Himalayan Buddhist paintings, sculptures, and textiles designed to bring about enlightenment, or awakening. The exhibition gently guides you from the turmoil of daily life to a peaceful state of self-knowledge.
Using discarded cell phones and computer cables as the material and rough-hewn rocks from Chinese art as the form, New York-based artist Jean Shin’s site-specific installation asks how technological innovation contributes to social alienation — best experienced when you unplug from your phone.
The inaugural work in the new Wilbur Gallery is also the museum debut for artist and critically acclaimed author of “Know My Name,” Chanel Miller, who powerfully represents healing as a three-part process: reflecting on the past, being mindful in the present, and envisioning the future. Miller’s work can be viewed through the gallery’s windows facing Hyde Street (the gallery is not currently accessible to the public).
Trace the pathways of 12th-century stone reliefs and 15th-century ceramics, from Vietnam to the ocean floor to San Francisco, and confront the ambiguities inherent in every museum collection by asking “Who owns art?” and “Whose voices count?”
Experience groundbreaking ink paintings by a renowned 20th-century Chinese artist influenced by the natural and social landscapes of 1970s California — including an image of Yosemite’s iconic Half Dome rendered in traditional techniques, a recent gift to the museum.